Paradiso heropent op 8 juli met HEROPERA

TRICKSTER presenteert op woensdag 8 juli in de grote zaal van Paradiso te Amsterdam een nieuwe versie van de opera HEROPERA.

TRICKSTER  is een collectief van vijf kunstenaars opgeleid in verschillende disciplines (theater, muziek, beeldende kunst, scenografie) en bestaat uit Nina Boas, Barbara Ellison, ieke Trinks, Mariëlle Verdijk en Marci Panis’ eigen Nathalie Smoor.

HERO/PERA (revisited) is een post-normale herneming van het ‘ad-lib’ futuristisch operadrama HEROPERA dat TRICKSTER in 2018 maakte ter ere van haar 10-jarig jubileum.

Deur: 19:30
Start: 20:30
Einde: 22:30
Tickets: €20,- (vooraf kopen verplicht) ga naar link:
https://www.paradiso.nl/nl/programma/hero-pera/77517/

HERO/PERA (revisited) is mede mogelijke gemaakt door het Fonds Podiumkunsten en particuliere bijdragen via de Anjeractie van het Prins Bernhard Cultuurfonds. 

Kate Cooper conversation at Rhizome

Marci Panis’ kunstenaar Kate Cooper wordt op 1 mei geïnterviewd door Rhizome:

On the occasion of New Museum’s “Screen Series Online: Kate Cooper,” Rhizome has invited the artist and presentation curator, Jeanette Bisschops, New Museum Curatorial Fellow, to discuss Cooper’s vivid and provocative CGI videos on view as part of Screens Series Online, and to preview forthcoming work. This conversation will take place online.

Watch Cooper’s Infection Drivers (2019) before the event, here.

To join the conversation event on May 1, RSVP to rsvp@rhizome.org for a link and reminder.

Plekgedicht van Erik Lindner op Kastanjehof

Marci Panislid, schrijver en dichter Erik Lindner schreef deze zomer op Kastanjehof een plekgedicht. Kastanjehof is een klein woonzorgcentrum aan het Kastanjeplein in Amsterdam-Oost. Het gedicht ‘Alles hangt waterpas …’ is te lezen op de ramen van Kastanjehof en vormt letterlijk een grens tussen binnen en buiten.

Op de donkerste dag van het jaar, 20 december 2019, werd vanuit Kastanjehof een feestelijke Buurtdag georganiseerd die die tevens de ingebruikname van de nieuwe Koffiebar, Infobalie, Plantenpension, Buurtkamer en Erik Lindners Plekgedicht inluidde. Samen met de dichter, kramenzetter, pianist, danser, buurtbewoners, fitness-instructeur, lichtman, plantendeskundige, kok, ontwerper, kunstenaar en anderen werden het Kastanjeplein en de Kastanjehof in het licht gezet.

Spectra Salon: Unverifiable Reality

On Saturday 7 December 2019 from 19:00 – 23:30 TILT presents the Spectra Salon: Unverifiable Reality

Join us for an evening delving into unverifiable reality with guests: performance by Tchelet Pearl Weisstub, a marathon of Tarot readings by Billy Mullaney, a pseudo-interactive installation by Andrea Božić and Julia Willms and a response and conversation with Konstantina Georgelou.

At Spectra | Studio, Marci Panis, Marcusstraat 52 | 1D, Amsterdam
Saturday, 7 December 2019 at 19.00 hrs

Note (!): Billy’s Tarot readings start already the night before and take place for 28 continuous hours, every half hour from Friday 6 December at 20.00 to Saturday 7 December at midnight. Please check availability via this link:
www.billymullaney.com/welcome-i-have-been-expecting-you.html
and reserve your preferred time slot by sending an email to billymullaney@gmail.com

Entrance free. Donations welcome.

Produced by TILT. Spectra | Salons are made possible by the financial contribution of the Gemeente Amsterdam / Stadsdeel Oost. Supported by Marci Panis.

***
Program

Beginning: 19.00 hrs

Future Present by Tchelet Pearl Weisstub with Haian Arshied
Performance at around 20.15

Welcome, I Have Been Expecting You – the hermit crossed with the three of cups by Billy Mullaney
Tarot readings, one-to-one durational performance – ongoing from 6 December at 20.00 to 7 December at midnight (every half hour for 28 hours)

Zandloper (Hourglass) by Andrea Božić and Julia Willms
Audio-visual installation – ongoing

A response and a conversation with Konstantina Georgelou and the artists
Around 21.00

***
Welcome, I Have Been Expecting You – the hermit crossed with the three of cups by Billy Mullaney

I have read tarot cards for over twelve years, but only recently initiated a dramaturgical analysis of tarot readings as a performance practice, and even more recently was convinced to situate this practice in aesthetic spaces such as visual art galleries or theatres.

Of course all reality is unverifiable–however, tarot cards are perfectly suited (no pun intended) to take advantage of this condition. They encourage syllogistic thought by presenting a recombinant set of images, idioms, and statements that we commit to reading as self-representational.

Like any projective test, the mode of spectatorship promotes a gaze that unfolds and immediately prunes a web of connotations from its dense, arbitrary (but not random) symbology.

Unlike a projective test, it is spooky.

“Unverifiable Reality” points to a crucial mechanism of tarot readings as a site of performance. Because it’s unverifiable, we are able to individually commit to reading each spread–after all, the unverifiable is also un-disprovable.

***
Future Present by Tchelet Pearl Weisstub with Haian Arshied

These days, together with Haian Arshied (a musician I have been working with for the past few years), I am developing an immersive sculpture and performance called: Future Present. In the coming Salon we will share the first baby steps of this new work.
Haian will be playing a theremin on low frequencies from The Schumann resonances spectrum (7.38 HZ- 30 HZ) that are a set of peaks in the Earth’s electromagnetic field. At the same time I will be amplifying the sound of my now pregnant body.

In our research, we summon ancient female deities in order to help us evoke a cyclical and maternal experience of time. We do this in order to counter an accelerating experience of time in which the landscape is increasingly occupied with Earthing Technologies. (Innovations that attempt to regulate environmental changes).

***
Zandloper (Hourglass) by Andrea Božić and Julia Willms

Glass is made of sand. Windows are made of sand. Bulbs are made of sand. Wineglasses are made of sand. Concrete is made of sand. Asphalt is made of sand. Roads are made of sand. Parking lots are made of sand. Runways are made of sand. Swimming pools are made of sand. Railroads are made of sand. Walls are made of sand. Houses are made of sand. Buildings are made of sand. Electronics are made of sand. Cellphone screens are made of sand. Monitors are made of sand. Beaches are made of sand. Coasts are made of sand. Sea bottom is made of sand. River bottom is made of sand. Sand castles are made of sand. Sand play is made of sand. Filtration in water-treatment facilities is made of sand. Septic systems are made of sand. Paint is made of sand. Nail polish is made of sand. Solar panels are made of sand. Wind turbines are made of sand. Billion dollar business is made of sand.

Drinks are available for an affordable price. Cash preferred.

Produced by TILT. Spectra | Salons are made possible by the financial contribution of the Gemeente Amsterdam / Stadsdeel Oost. Supported by Marci Panis.

Mercedes Azpilicueta in het Van Abbe

In het Van Abbemuseum in Eindhoven is vanaf 30 november nieuw werk te zien van Marci Panis’ Mercedes Azpilicueta. Zij maakte voor de tentoonstelling Positions 5 nieuw werk geluid, video, kostuums en (wand)tapijten omvat, geïnspireerd op de Argentijnse legende rondom Lucía Miranda, zoals opgetekend door de vrouwelijke 19de-eeuwse auteur Eduarda Mansilla.

Meer: https://vanabbemuseum.nl/programma/programma/positions-5/

Trailer: